Crime and Gangster Films are developed around the sinister actions of criminals or gangsters, particularly bankrobbers, underworld figures, or ruthless hoodlums who operate outside the law, stealing and american history essay questions murdering their way through life. Headline-grabbing situations, real-life gangsters, or crime reports have often been used in crime films. Film gangsters are usually materialistic, street-smart, immoral, meglo-maniacal, and self-destructive.
Rivalry with other criminals in gangster warfare is often a significant plot characteristic. Crime plots also include questions such as how the criminal will be apprehended by police, private eyes, special agents or lawful authorities, or mysteries such as who stole the valued object. Gangster films are often morality tales: Horatio Alger or ‘pursuit of the American Dream’ success stories turned upside down in which criminals live in an inverted dream world of success and wealth. They date back to the early days of film during the silent era.
Mutoscope machines or nickelodeons in amusement arcades. It was also the earliest known film featuring Sherlock Holmes. It wasn’t the first gangster movie ever made, but it was the first significant gangster film that has survived. Outdoor scenes were shot in the gangland territory of NYC’s Lower East Side with its slum tenements, and cast members included possible gang members. Based on the novels of Marcel Allain and Pierre Souvestre, Fantomas was released as five separate films, running roughly an hour each. NYC, although the film exploitatively promised steamy sex in its advertisements.
The upcoming 1920s decade was a perfect era for the blossoming of the crime genre. It was the period of Prohibition, grimy and overpopulated cities with the lawless spread of speakeasies, corruption, and moonshiners, and the flourishing rise of organized gangster crime. George Bancroft and Clive Brook, reflected the 1920s. It has often been considered the first modern gangster film, with many standard conventions of the crime film – and it was shot from the gangster’s point of view. Robert Wiene’s The Cabinet of Dr.
German director Fritz Lang also released several important silent crime films – influential post-war films that helped to launch the entire genre in the 1930s, including a series of Dr. The film was noted for a spectacular car chase scene, explosions, and murders. It was an expressionistic psychological thriller about a child molester serial killer. It wasn’t until the sound era and the 1930s that gangster films truly became an entertaining, popular way to attract viewers to the theatres, who were interested in the lawlessness and violence on-screen. Many of the sensationalist plots of the early gangster films were taken from the day’s newspaper headlines, encouraging the public appetite for crime films. The allied rackets of bootlegging, gambling and prostitution brought these mobsters to folk hero status, and audiences during that time vicariously participated in the gangster’s rise to power and wealth – on the big screen. The perfection of sound technology and mobile cameras also aided their spread.