Crime and Gangster Films are developed around the sinister actions of criminals or gangsters, particularly bankrobbers, underworld figures, or ruthless hoodlums who operate outside the law, stealing and violently murdering their way through life. Headline-grabbing situations, real-life gangsters, or crime reports have often been used in crime films. Film gangsters are usually materialistic, street-smart, immoral, meglo-maniacal, essay on a good leader self-destructive. Rivalry with other criminals in gangster warfare is often a significant plot characteristic.
Crime plots also include questions such as how the criminal will be apprehended by police, private eyes, special agents or lawful authorities, or mysteries such as who stole the valued object. Gangster films are often morality tales: Horatio Alger or ‘pursuit of the American Dream’ success stories turned upside down in which criminals live in an inverted dream world of success and wealth. They date back to the early days of film during the silent era. Mutoscope machines or nickelodeons in amusement arcades. It was also the earliest known film featuring Sherlock Holmes. It wasn’t the first gangster movie ever made, but it was the first significant gangster film that has survived.
Outdoor scenes were shot in the gangland territory of NYC’s Lower East Side with its slum tenements, and cast members included possible gang members. Based on the novels of Marcel Allain and Pierre Souvestre, Fantomas was released as five separate films, running roughly an hour each. NYC, although the film exploitatively promised steamy sex in its advertisements. The upcoming 1920s decade was a perfect era for the blossoming of the crime genre.