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Our essay writers will offer papers with balanced arguments and evidence-based conclusions. We proofread and edit to avoid any form of grammar, spelling flaws and typographical errors. Follow the link for more information. German opera composer of Jewish birth who has been described as perhaps the most successful stage composer of the nineteenth century. Born to a very wealthy Berlin family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. 1832, and from 1843 as Prussian General Music Director, was also influential in opera in Berlin and throughout Germany.
Apart from around 50 songs, Meyerbeer wrote little except for the stage. Nazi regime in Germany, and were neglected by opera houses through most of the twentieth century. Berlin, then the capital of Prussia, to a Jewish family. Judah Beer was a leader of the Berlin Jewish community and maintained a private synagogue in his house which leaned towards reformist views. Jacob Beer wrote an early cantata for performance at this synagogue. Beer’s first keyboard instructor was Franz Lauska, a pupil of Johann Georg Albrechtsberger and a favoured teacher at the Berlin court. Beer also became one of Muzio Clementi’s pupils while Clementi was in Berlin.
Beer, as he still named himself, studied with Antonio Salieri and the German master and friend of Goethe, Carl Friedrich Zelter. Throughout his early career, although determined to become a musician, Beer found it difficult to decide between playing and composition. 1820, including Moscheles, considered him amongst the greatest virtuosi of his period. With his next opera Meyerbeer became virtually a superstar. Paris in 1831, was one of the earliest grand operas.
The success of the opera led to Meyerbeer himself becoming a celebrity. In January 1832 he was awarded membership of the Légion d’honneur. In Paris Meyerbeer had been asked by Louis Véron, the director of the Opéra, for a new work. However, in Berlin Meyerbeer faced many problems, including the enmity of the jealous Gaspare Spontini, who since 1820 had been Court Kapellmeister and director of the Berlin Hofoper. On 20 August 1839 Meyerbeer, whilst relaxing at Boulogne in the company of Moscheles, met for the first time with Richard Wagner, who was en route to Paris. By the end of 1841, Meyerbeer had completed the first draft of Le prophète, but refused to stage it because the then director of the opera, Leon Pillet, wished to cast his mistress, Rosine Stoltz, in the part of Fidès, the hero’s mother. Meyerbeer insisted on Pauline Viardot for the role.
In the meantime, the situation in Prussia was changing. Following the death of Frederick William III, the new regime of Frederick William IV was far more liberal. In 1843, the Berlin Opera house burned down. The creation of the new building gave a new opportunity to commission a German opera from Meyerbeer.