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Oral storytelling is the earliest method for sharing narratives. Along with exposition, argumentation, and description, narration, broadly defined, is one of four rhetorical modes of discourse. Owen Flanagan of Duke University, a leading consciousness researcher, writes, “Evidence strongly suggests that humans in all cultures come to cast their own identity in some sort of narrative form. Stories are an important aspect of culture.
In On Realism in Art Roman Jakobson argues that literature exists as a separate entity. He and many other semioticians prefer the view that all texts, whether spoken or written, are the same, except that some authors encode their texts with distinctive literary qualities that distinguish them from other forms of discourse. How is it manifested as art, cinema, theater, or literature? Why is narrative divided into different genres, such as poetry, short stories, and novels?
In literary theoretic approach, narrative is being narrowly defined as fiction-writing mode in which the narrator is communicating directly to the reader. But novels, lending a number of voices to several characters in addition to narrator’s, created a possibility of narrator’s views differing significantly from the author’s views. A writer’s choice in the narrator is crucial for the way a work of fiction is perceived by the reader. A writer may choose to let several narrators tell the story from different points of view. Then it is up to the reader to decide which narrator seems most reliable for each part of the story. See for instance the works of Louise Erdrich. In Indigenous American communities, narratives and storytelling are often told by a number of elders in the community.