Enter the characters you see below Sorry, we just need to make sure you’re not a robot. Henry viii essay most notable work was in the Impressionist style, and he is probably best known for his paintings of nude boys and young men. He was born into a Quaker family in Lawrence Street in York.
In 1859 the family moved to Falmouth, where Daniel Tuke, a physician, established a practice. In 1875, Tuke enrolled in the Slade School of Art under Alphonse Legros and Sir Edward Poynter. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. In 1885, Tuke returned to Falmouth where many of his major works were produced. Tuke became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March, 1929. Towards the end of his life Tuke knew that his work was no longer fashionable.
In his will he left generous amounts of money to some of the men who, as boys, had been his models. Henry Scott Tuke, The Bathers, 1888. Tuke was born at Lawrence Street York, into the prominent Quaker Tuke family. His brother William Samuel Tuke was born two years earlier in 1856. In 1859 the family moved to Falmouth in Cornwall where it was hoped the warmer climate would benefit Tuke’s father, Daniel, who had developed symptoms of tuberculosis. Daniel survived there and lived on until he was 68. He established a small doctor’s practice in his house in Wood Lane.
In 1874 Tuke moved to London, where he enrolled in the Slade School of Art. It was in Falmouth that the young Tuke had been introduced to the pleasures of nude sea bathing, a habit he continued into old age. Henry Scott Tuke, August Blue, 1893. In 1883, Tuke returned to Britain and moved to Newlyn, Cornwall joining a small colony of artists including Walter Langley, Albert Chevallier Tayler and Thomas Cooper Gotch. In Newlyn, in 1884, Tuke completed his first painting of boys in boats. Called Summertime, it depicts two local boys, John Wesley Kitching and John Cotton, in a punt called Little Argo. Tuke’s style was more impressionistic than that of the other Newlyn painters and he only stayed a short time.