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The world is flat essay

The world is flat essay



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It depicts an old, blind, haggard man with threadbare clothing weakly hunched over his guitar, playing in the streets of Barcelona, Spain. At the time, having renounced his classical and traditional education and searching for fame, Picasso and his friend Carlos Casagemas moved to Paris. A year later, Casagemas became hopelessly miserable from a failed love affair and committed suicide. Picasso was greatly afflicted by this event and was soon depressed and desolate. In addition, Picasso was very poor. These events and circumstances were the impetus for the beginning of Picasso’s Blue Period which lasted from 1901 to 1904.

The Blue Period is identified by the flat expanses of blues, greys and blacks, melancholy figures lost in contemplation, and a deep and significant tragedy. Elements in The Old Guitarist were carefully chosen to generate a reaction from the spectator. For example, the monochromatic color scheme creates flat, two-dimensional forms that dissociate the guitarist from time and place. In addition, the overall muted blue palette creates a general tone of melancholy and accentuates the tragic and sorrowful theme. Furthermore, the guitarist, although muscular, shows little sign of life and appears to be close to death, implying little comfort in the world and accentuating the misery of his situation.

Details are eliminated and scale is manipulated to create elongated and elegant proportions while intensifying the silent contemplation of the guitarist and a sense of spirituality. Recent x-rays and examinations by curators found three figures peering behind the old guitarist’s body. The three figures are an old woman with her head bent forward, a young mother with a small child kneeling by her side, and an animal on the right side of the canvas. Despite unclear imagery in crucial areas of the canvas, experts determined that at least two different paintings are found beneath The Old Guitarist. By using this camera, researchers were able to discover a young mother seated in the center of the composition, reaching out with her left arm to her kneeling child at her right, and a calf or sheep on the mother’s left side.



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